Connie has trouble with time. She always has to stop and think a minute: How old is she now? . . . Faith always seems to know, though her life is the same as Connie's: back and forth to theater towns all over. The same dingy food, the same noisy sidewalks, the same cramped suites in the same hotels. . . Sometimes they go to school, sometimes not, though they always have books to read: big packets of books that Armand sends to them in every city. Armand is their parents' lawyer, the only person they know who likes children. . . .Faith and Connie endured the same childhood as daughters of egocentric, semi-famous actors who can scarcely take care of themselves. But the two sisters could not be more different. Connie learned to beg for attention, clamor for approval, and fill the silence with words. Faith turned inward, shrinking from the tender emotions that make up an ordinary life. Despite their differences, the sisters came to rely on each other...

1963, Mexico, Maine. The Wood family is much like its close, Catholic, immigrant neighbors, all dependent on a father's wages from the Oxford Paper Company. Until the sudden death of Dad, when Mum and the four closely connected Wood girls are set adrift. Funny and to-the-bone moving, When We Were the Kennedys is the story of how this family saves itself, at first by depending on Father Bob, Mum's youngest brother, a charismatic Catholic priest who feels his new responsibilities deeply. And then, as the nation is shocked by the loss of its handsome Catholic president, the televised grace of Jackie Kennedy—she too a Catholic widow with young children—galvanizes Mum to set off on an unprecedented family road trip to Washington, D.C., to do some rescuing of her own. An indelible story of how family and nation, each shocked by the unimaginable, exchange one identity for another.   "Monica Wood has written a gorgeous, gripping memoir. I don't know that I've ever pulled so...

Review“A MASTERPIECE . . . WOOD’S STORIES [ARE] FILLED WITH HOPE AND LIGHT.”–Titan magazine“Characters alternate between major and minor roles like players in a Robert Altman film. . . . Wood handles each voice with such grace that she disappears inside it right away. Her prose is careful yet still quivers. . . . Like an honest day’s work, it is both simple and more than enough.”–San Francisco Chronicle“The loving character portraits that form [these] stories help us understand not only the people of Maine but also the human condition.”–The Boston Globe“QUIETLY WONDERFUL FICTION . . .Wood does a splendid job of building a whole out of these parts. Each story can easily stand alone, yet every new one contains an object or memory we’ve seen in a previous story, usually from another perspective. The overall effect is one of panorama, the sense that though we haven’t met everyone in Abbott Falls, we’ve cast a good long glance at the range of hopes and heartaches the town contains.”–The Cleveland Plain Dealer“A collection of unforeseen awakening and unconditional love . . . It’s clear that this Maine author has plenty of talent to share with the world.”–Maine Sunday Telegram“Ernie’s Ark, a series of nine interlinked short stories, contains all the depth and range of emotions that a full-length novel enjoys. . . . [Wood’s] strength is her ability to create clear and sympathetic voices for each of her many characters. By the time you finish reading Ernie’s Ark, you will have a whole chorus of voices in your head, each echoing the rhythms of small-town life.”–Titan magazine“An eight-month strike at the paper mill has shivered apart Abbott Falls as neatly as though it were a chunk of mica; in her stories, Wood takes these fragments and holds them up to the light, revealing a world at once self-contained and wonderfully complex. . . . A fine collection by an author whose writing continues to grow with each published work.”–Down East magazine“Wood’s gift as a writer is to invest her short stories with real emotion . . . [She] uses deceptively simple language and an obvious sympathy for her characters to keep the tale triumphantly afloat.”–Casco Bay Weekly“Wood does a remarkable job of illuminating the characters’ inner lives–from disgruntled union workers to a flower store owner in a troubled marriage–skillfully layering their brief but complex stories with humor, empathy, and melancholy.”–Publishers Weekly“Touching . . . These quirky stories reaffirm faith in human resilience.”–BooklistFrom the Inside FlapThe paper mill looms up from the riverbank in Abbott Falls, Maine, a town once drenched with ordinary hopes and dreams, now praying for a small drop of good fortune. Ernie Whitten, a pipe fitter, was three weeks away from a pension-secured retirement when the union went on strike eight months ago. Now his wife Marie is ill. Struck with sudden inspiration, Ernie builds a giant ark in his backyard. It is a work of art for his wife; a vessel to carry them both away; or a plea for God to spare Marie, come hell or high water. As the ark takes shape, the rest of the town carries on. There's Dan Little, a building-code enforcer who comes to fine Ernie for the ark and makes a significant discovery about himself; Francine Love, a precocious thirteen-year-old who longs to be a part of the family-like world of the union workers; and Atlantic Pulp & Paper CEO Henry John McCoy, an impatient man wearily determined to be a good father to his twenty-six-year-old daughter. The people of Abbott Falls will try their best to hold a community together, against the fiercest of odds. . . .

The incandescent story of a 104-year-old woman and the sweet, strange young boy assigned to help her around the house — a friendship that touches each member of the boy's unmoored family For years, guitarist Quinn Porter has been on the road, chasing gig after gig, largely absent to his twice-ex-wife Belle and their odd, Guinness records–obsessed son. When the boy dies suddenly, Quinn seeks forgiveness for his paternal shortcomings by completing the requirements for his son's unfinished Boy Scout badge. For seven Saturdays, Quinn does yard work for Ona Vitkus, the spry 104-year-old Lithuanian immigrant the boy had visited weekly. Quinn soon discovers that the boy had talked Ona into gunning for the world record for Oldest Licensed Driver — and that's the least of her secrets. Despite himself, Quinn picks up where the boy left off, forging a friendship with Ona that allows him to know the son he never understood, a boy who was always...

Richard Russo has celebrated Monica Wood's fiction as 'thoroughly captivating...warm and wise and beautifully written,' and Andre Dubus III praised it as 'luminous and graceful...entertaining yet transcendent.' Any Bitter Thing, Wood's brilliant new novel, is her breakout book, a timely, gripping, and compassionate tale of family, faith, and deeply hidden truths. One of its greatest strengths is its continuous ability to defy expectations. It's not what you think. It is worse. Lizzy Mitchell was raised from the age of two by her uncle, a Catholic priest. When she was nine, he was falsely accused of improprieties with her and dismissed from his church, and she was sent away to boarding school. Now thirty years old and in a failing marriage, she is nearly killed in a traffic accident. What she discovers when she sets out to find the truths surrounding the accident—and about the accusations that led to her uncle's death—does more than change her life. With deft...