Kin is a dazzling family epic from one of Croatia's most prized writers. In this sprawling narrative which spans the entire twentieth century, Miljenko Jergović peers into the dusty corners of his family's past, illuminating them with a tender, poetic precision.Ordinary, forgotten objects - a grandfather's beekeeping journals, a rusty benzene lighter, an army issued raincoat - become the lenses through which Jergović investigates the joys and sorrows of a family living through a century of war. The work is ultimately an ode to Yugoslavia - Jergović sees his country through the devastation of the First World War, the Second, the Cold, then the Bosnian war of the 90s; through its changing street names and borders, shifting seasons, through its social rituals at graveyards, operas, weddings, markets - rendering it all in loving, vivid detail. A portrait of an era.

This grand novel encompasses nearly all of Yugoslavia's tumultuous twentieth century, from the decline of the Austro-Hungarian and Ottoman Empires through two world wars, the rise and fall of communism, the breakup of the nation, and the terror of the shelling of Dubrovnik. Tackling universal themes on a human scale, master storyteller Miljenko Jergovic traces one Yugoslavian family's tale as history irresistibly casts the fates of five generations.What is it to live a life whose circumstances are driven by history? Jergovic investigates the experiences of a compelling heroine, Regina Delavale, and her many family members and neighbors. Telling Regina's story in reverse chronology, the author proceeds from her final days in 2002 to her birth in 1905, encountering along the way such traumas as atrocities committed by Nazi Ustashe Croats and the death of Tito. Lyrically written and unhesitatingly told, The Walnut Mansion may be read as an allegory of the tragedy of...

"Poetic and moving . . . of the many books written on Bosnia, this collection of stories is perhaps the best."--Slavenka Drakulic"Sarajevo Marlboro" is Miljenko Jergovic's remarkable debut collection of stories. Jergovic is a child of Sarajevo who remained in the city throughout the war. A dazzling storyteller, he brings a profoundly human, razor-sharp -understanding of the fate of the city's young Muslims, Croats, and Serbs with a subterranean humor and profoundly personal vision. Their offbeat lives and daily -dramas play out in the foreground, the killing zone in the background.Miljenko Jergovic was born in Sarajevo in 1966. A poet and journalist, he writes for the daily "Oslobodjenje" newspaper. He has written another collection of stories as well as two novels: "Buick Riviera" and "Mama Leone." His work has been translated extensively throughout the world.Stela Tomasevic (Translator) was born in Belgrade in 1963. She studied literature at the University of East -Anglia. She has translated numerous works of nonfiction from the Serbo-Croatian and from the French. She currently works for the UN International Criminal Tribunal for Former -Yugoslavia.Ammiel Alcalay (Introduction) is a scholar, critic, trans-lator and poet. In his own words, "My immersion in a -diversity of languages and cultures has shaped and informed my place within American culture. I have come to see myself as a conveyor of ideas, texts, histories, cultural encounters and narrative points of view that, for a variety of reasons, have not gotten the attention they merit."

Written in the shadow of the Yugoslav wars, yet never eclipsed by them, Mama Leone is a delightful cycle of interconnected stories by one of Central Europe’s most dazzling contemporary storytellers. Miljenko Jergovi? leads us from a bittersweet world of precocious childhood wonder and hilarious invention, where the seduction of a well-told lie is worth more than a thousand prosaic truths, out into fractured worlds bleary-eyed from the unmagnificence of growing up. Yet for every familial betrayal and diminished expectation, every love and home(land) irretrievably lost, every terror and worst fear realized, Jergovi?’s characters never surrender the promise of redemption being but a lone kiss or winning bingo card away. As readers we wander the book’s rhapsodic literary rooms, and as a myriad of unforgettable human voices call out to us, startled, across oceans and continents, we recognize them as our own.